Photo Catherine Rebois
(Born 1960 in Brooklyn, New York) an American and European conceptual artist whose work is mostly social commentary or politically motivated, whether working in paint, installation, multimedia, video or printmaking.
As a child, I was educated to believe that I was living in a developed society. This I did not see. As my consciousness developed, I began to recognize the dysfunction of a world people call or think civilized.
I do not think I can change the world but I can certainly give it something to think about.
The world is filled with people doing amazing things, seek out and support scientific and philosophical thinking that questions and builds upon our understanding.
The Y Project
Sculptures are placed in public space asking us to reflect on the question “Why do we live so comfortably with an imbalance of human equality and irresponsibility.”
The Y Project began in 1998 on the Ruth E. Wittenberg Triangle, a civil rights activist who walked with Martin Luther King, Jr. in Selma. The triangle also starts Christopher Street the home of the Stonewall Inn. Where LGBT community stood up against the police raid that took place on June 28, 1969 and is considered to be the most important event leading the modern gay liberation movement.
Y Discriminate’s pink and blue colors supports gender equality, and the rights for all people, especially the LGBT community.
A fiscally sponsored project of New York Foundation for the Arts.
Manhole Cover Printing
“By putting myself at people’s feet, I bring beauty up to their level causing them to look down.” In 1990 the manhole cover became my printing plate in streets around the world. I have printed in over thirty countries. This body of work is known as “A Visual Travel Diary”. The prints have original stories behind them, a result from working in public space. Only three prints are made on a cover.
T-Shirt Tirade
Humanizing Gay Rights
In 1999 I wanted to help humanize gay rights through “T-shirt Tirade” while challenging the form in which people demonstrate. I wanted to illustrate the human side of the issue by showing normal people doing normal daily activities while wearing the slogan, I’m a Human Being Not a Sexuality, Equal Rights!
Public Installations - USA 2005.
Lima Lives
Celebrates the life and spirit of Lima, a zebra, that escaped from the Ringling Brothers and Barnum & Bailey Circus on February 18, 2010 and stopped traffic for forty minutes in downtown Atlanta.
This project was commissioned by Flux Atlanta 2010.
Silent March for HIV Prevention
Designed as a multi segmented project to assist in preventing the spread of HIV. It includes site specific installations using shoes of people that are HIV positive or had died from AIDS.
A fiscally sponsored project of New York Foundation for the Arts.
Where Does Peace Begin
A commentary on the Iraq war while paying tribute to our fellow human beings that lost their life in a conflict that held a hidden agenda. I support governments and societies that use peaceful measures, instead of manipulating its citizens to engage in war on its behalf.
Proposed Project 2004.
The Name Game
I am using my name not only as an iconic reference, but also as a generic shape to create artwork. This project draws our attention to branding and the growing role it plays in today’s society while ignoring who or what stands behind it.
Parson’s School of Design - Paris, France 2003.
Painted Work
My paintings are more tradional studio works done in a time of meditation or self reflection.
One could say that the work stems from the Art Concrets, a movement founded by Theo Van Doesburg in Paris in 1930. His manifesto, Base de la peinture concrete (The Basis of Concrete Painting) signed by Otto G. Carlsund, Jean Helion, Leon Tutendjian and Marcel Wantz, promoted “absolute clarity”; based on a “mechanical” technique and painting “formed by the mind before its execution”, “entirely construced with purely visual elements, (which) has no other meaning than itself.”
Untitled
This project is called Untitled. No words in any language can express my sentiment of disbelief in the United State’s decision to declare war on Iraq.
Dimensions Varied; Site Fixed.
Cambridge Art Council Gallery 2005.
Conceptual Portraits
The sole of a person’s shoe becomes a printing plate to create their conceptual portrait.
The idea presented itself when I began printing manhole covers. It was perfect, since I could create printed work during the winter months. I remember seeing the bottom of a shoe on a subway rider and thought that would make a great print.
Underneath it ALL
We are but human. Society seems to be in a mode of separatism as it searches for a new identity in this age of globalization. I feel that it is dangerous to divide ourselves into subgroups. Instead, we need to come together on common ground, as humans, and not push ourselves apart by man-created-differences.
Participants choose six words to create an auto portrait and donate a pair of their underwear.
Created 1996.
One Earth
This piece was created to transcend boarders and strengthen the earthly pulse desiring world peace, equality and environmental protection. This tile is part of a larger global art project.
The Tile Project : TransCultural Exchange 2004.
Being Phuct
Playing with the English language while challenging the notion of « BAD » words. I am trying to wake people up from their complacent slumber and to acknowledge an uncomfortable extremist mentality gaining strength in the United States.
Public Intervention 2005.